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Eighteen Arhats
The Eighteen Arhats () are depicted in Mahayana Buddhism as the original followers of the Buddha who have followed the Eightfold Path and attained the Four Stages of Enlightenment. They have reached the state of Nirvana and are free of worldly cravings. They are charged to protect the Buddhist faith and to await on earth for the coming of Maitreya, a prophesied enlightened Buddha to arrive on earth many millennia after Gautama Buddha's death and nirvana. In China, the eighteen arhats are also a popular subject in Buddhist art, such as the famous Chinese group of glazed pottery luohans from Yixian of about 1000.
==In China==
Originally, the arhats composed of only 10 disciples of Gautama Buddha, although the earliest Indian sutras indicate that only 4 of them, Pindola, Kundadhana, Panthaka and Nakula, were instructed to await the coming of Maitreya. Earliest Chinese representations of the arhats can be traced back to as early as the fourth century, and mainly focused on Pindola who was popularized in art by the book ''Method for Inviting Pindola'' ().
Later this number increased to sixteen to include patriarchs and other spiritual adepts. Teachings about the Arhats eventually made their way to China where they were called ''Luohan'' (羅漢, shortened from ''a-luo-han'' a Chinese transcription for Arhat), but it wasn't until 654 AD when the Nandimitrāvadāna (), ''Record on the Duration of the Law, spoken by the Great arhat Nadimitra'', was translated by Xuanzang into Chinese that the names of these arhats were known. For some reason Kundadhana was dropped from this list.
Somewhere between the late Tang Dynasty and early Five Dynasties and Ten Kingdoms period of China two other Luohans were added to the roster increasing the number to 18. But this depiction of having 18 Luohans only gained a foothold in China whereas other areas like Japan continue to revere only sixteen and whose roster differs somewhat. This depiction of having 18 instead of 16 Luohans continues into modern Chinese Buddhist traditions. A cult built around the Luohans as guardians of Buddhist faith gained momentum amongst Chinese Buddhists at the end of the ninth century for they had just been through a period a great persecution under the reign of Emperor Tang Wuzong. In fact the last two additions to this roster, Taming Dragon and Taming Tiger, are thinly veiled swipes against Taoism.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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